He’s talking about turning his life around. A clean guitar riff over a scooping beat. Heat Wave – It’s got a 90s R&B sound to the bed here. There’s a big pause before it moves to the next song. Interlude – Awkward transition sonically at the end of this. WHATUPRG takes it up to a whole other level at the end. He comes at it from a different angle then brings the melody back to the theme presented at the beginning. Nonchalant vocals just kinda melting over the track. Ty Brasel rips it up. Lecrae matches his melodic runs and definitely enhances the track with his feature. “I don’t know what to say/Oh, yeah, get out the way/What you want me to stay for?/Every night I gotta pray for/My N.W.A’s/1KF on the raise/Now they lookin amazed/We don’t really get phased”ġK is great at switching the flow up and keeping it going. His flow on the verse is very melodic though. Wild N Out – A droning synth riff is laying over the top of rumbling bass. The top of the song has 1k making quite a bit of noise. I wish he would have stayed on point to close it out. I am not sure the connection between Michael Jackson – moonwalk – lights camera action – and then Super Bowl team at the end. Foggieraw’s verse is okay but didn’t add much to the track for me. The “lights camera action” gets a bit redundant for me later in the song. Woodwind samples and a trap beat roll in at the top. While 1K Phew is an artist who 100% relies on his vibes, I actually dig the flow on these verses. Moonwalk – Not sure I’m still comfortable with Michael Jackson references in the year 2019, but here we are. This might have done the latter, but for me, it was not the former. The purpose is usually to engage the listener, enhancing the overall experience, or is meant to give the listener an emotional push in a certain direction. This introduction cuts off and doesn’t handoff to the next track at all. It’s really difficult to rate intros, skits, and interludes. Intro – Etherial pads and vocals swell into an introspective hook.
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